The Stories Behind the Series
Baby Paws Koala - In Private Collection
At my core, I see myself not just as a hyperrealism artist, but as a conceptual fine artist. My process begins long before the first mark on paper, with an idea that asks how emotion can be felt, not just seen. Developing a cohesive series is one of the most rewarding parts of my practice. It allows me to explore a unified concept from multiple angles, bringing together narrative, symbolism, and form into something that feels whole. It’s the part of the creative process I enjoy most, sitting delicately alongside the craft itself.
Each series we’ve created has been built on emotion first, illusion second. The technique exists to serve the story.
The Cool Bs
Our first series, Cool Bs, was born from playfulness and personality. These anthropomorphic bees, Lazy B, Busy B, Grumpy B, and others, each carried a human trait. They reminded us that even the smallest creatures mirror our own emotions and quirks. This series connected through joy and relatability, bridging the gap between people and nature through humour and charm.
The Baby Paws
Baby Paws shifted the tone toward tenderness. These sleeping baby animals represent innocence and trust, drawn in fetal positions to evoke safety and calm. Georgia’s unique contribution, a single, hand-drawn paw or claw print, became the soul of each piece. The emotion behind Baby Paws is one of protection and empathy, a father and daughter’s shared care for the natural world.
The Wild Hearts
Our upcoming Wild Hearts series expands that sentiment into something larger. At double A0 scale, these works explore the bond between parent and child in the wild, strength, unity, and spirit. Each composition forms a heart, symbolising protection and connection, reminding viewers that family and instinct transcend species.
Across all our series, illusion is the bridge but emotion is the truth. The realism invites you close; the feeling keeps you there. When someone pauses and says the animals seem alive, that’s the moment I value most. Because in that instant, the drawing becomes more than charcoal and paper, it becomes presence.
